Cool China Tooling Making Suppliers images

Cool China Tooling Making Suppliers images

Some cool china tooling making suppliers images:

A Bitcoin You Can Flip
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Image by jurvetson
My son has become fascinated with bitcoins, and so I had to get him a tangible one for Xmas (thanks Sim1!). The public key is imprinted visibly on the tamper-evident holographic film, and the private key lies underneath.

I too was fascinated by digital cash back in college, and more specifically by the asymmetric mathematical transforms underlying public-key crypto and digital blind signatures.

I remembered a technical paper I wrote, but could not find it. A desktop search revealed an essay that I completely forgot, something that I had recovered from my archives of floppy discs (while I still could).

It is an article I wrote for the school newspaper in 1994. Ironically, Microsoft Word could not open this ancient Microsoft Word file format, but the free text editors could.

What a fun time capsule, below, with some choice naivetés…

I am trying to reconstruct what I was thinking, and wondering if it makes any sense. I think I was arguing that a bulletproof framework for digital cash (and what better testing ground) could be used to secure a digital container for executable code on a rental basis. So the expression of an idea — the specific code, or runtime service — is locked in a secure container. The idea would be to prevent copying instead of punishing after the fact. Micro-currency and micro-code seem like similar exercises in regulating the single use of an issued number.

Now that the Bitcoin experiment is underway, do you know of anyone writing about it as an alternative framework for intellectual property?

IP and Digital Cash
@NORMAL:
Digital Cash and the “Intellectual Property” Oxymoron
By Steve Jurvetson

Many of us will soon be working in the information services or technology industries which are currently tangled in a bramble patch of intellectual property law. As the law struggles to find coherency and an internally-consistent logic for intellectual property (IP) protection, digital encryption technologies may provide a better solution — from the perspective of reducing litigation, exploiting the inherent benefits of an information-based business model, and preserving a free economy of ideas.
Bullet-proof digital cash technology, which is now emerging, can provide a protected “cryptographic container” for intellectual expressions, thereby preserving traditional notions of intellectual property that protect specific instantiations of an idea rather than the idea itself. For example, it seems reasonable that Intuit should be able to protect against the widespread duplication of their Quicken software (the expression of an idea), but they should not be able to patent the underlying idea of single-entry bookkeeping. There are strong economic incentives for digital cash to develop and for those techniques to be adapted for IP protection — to create a protected container or expression of an idea. The rapid march of information technology has strained the evolution of IP law, but rather than patching the law, information technology itself may provide a more coherent solution.

Information Wants To Be Free
Currently, IP law is enigmatic because it is expanding to a domain for which it was not initially intended. In developing the U.S. Constitution, Thomas Jefferson argued that ideas should freely transverse the globe, and that ideas were fundamentally different from material goods. He concluded that “Inventions then cannot, in nature, be a subject of property.” The issues surrounding IP come into sharp focus as we shift to being more of an information-based economy.
The use of e-mail and local TV footage helps disseminate information around the globe and can be a force for democracy — as seen in the TV footage from Chechen, the use of modems in Prague during the Velvet Revolution, and the e-mail and TV from Tianammen Square. Even Gorbachev used a video camera to show what was happening after he was kidnapped. What appears to be an inherent force for democracy runs into problems when it becomes the subject of property.
As higher-level programming languages become more like natural languages, it will become increasingly difficult to distinguish the idea from the code. Language precedes thought, as Jean-Louis Gassée is fond of saying, and our language is the framework for the formulation and expression of our ideas. Restricting software will increasingly be indistinguishable from restricting freedom of speech.
An economy of ideas and human attention depends on the continuous and free exchange of ideas. Because of the associative nature of memory processes, no idea is detached from others. This begs the question, is intellectual property an oxymoron?

Intellectual Property Law is a Patch
John Perry Barlow, former Grateful Dead lyricist and co-founder (with Mitch Kapor) of the Electronic Frontier Foundation, argues that “Intellectual property law cannot be patched, retrofitted or expanded to contain digitized expression… Faith in law will not be an effective strategy for high-tech companies. Law adapts by continuous increments and at a pace second only to geology. Technology advances in lunging jerks. Real-world conditions will continue to change at a blinding pace, and the law will lag further behind, more profoundly confused. This mismatch may prove impossible to overcome.”
From its origins in the Industrial Revolution where the invention of tools took on a new importance, patent and copyright law has protected the physical conveyance of an idea, and not the idea itself. The physical expression is like a container for an idea. But with the emerging information superhighway, the “container” is becoming more ethereal, and it is disappearing altogether. Whether it’s e-mail today, or the future goods of the Information Age, the “expressions” of ideas will be voltage conditions darting around the net, very much like thoughts. The fleeting copy of an image in RAM is not very different that the fleeting image on the retina.
The digitization of all forms of information — from books to songs to images to multimedia — detaches information from the physical plane where IP law has always found definition and precedent. Patents cannot be granted for abstract ideas or algorithms, yet courts have recently upheld the patentability of software as long as it is operating a physical machine or causing a physical result. Copyright law is even more of a patch. The U.S. Copyright Act of 1976 requires that works be fixed in a durable medium, and where an idea and its expression are inseparable, the merger doctrine dictates that the expression cannot be copyrighted. E-mail is not currently copyrightable because it is not a reduction to tangible form. So of course, there is a proposal to amend these copyright provisions. In recent rulings, Lotus won its case that Borland’s Quattro Pro spreadsheet copied elements of Lotus 123’s look and feel, yet Apple lost a similar case versus Microsoft and HP. As Professor Bagley points out in her new text, “It is difficult to reconcile under the total concept and feel test the results in the Apple and Lotus cases.” Given the inconsistencies and economic significance of these issues, it is no surprise that swarms of lawyers are studying to practice in the IP arena.
Back in the early days of Microsoft, Bill Gates wrote an inflammatory “Open Letter to Hobbyists” in which he alleged that “most of you steal your software … and should be kicked out of any club meeting you show up at.” He presented the economic argument that piracy prevents proper profit streams and “prevents good software from being written.” Now we have Windows.
But seriously, if we continue to believe that the value of information is based on scarcity, as it is with physical objects, we will continue to patch laws that are contrary to the nature of information, which in many cases increases in value with distribution. Small, fast moving companies (like Netscape and Id) protect their ideas by getting to the marketplace quicker than their larger competitors who base their protection on fear and litigation.
The patent office is woefully understaffed and unable to judge the nuances of software. Comptons was initially granted a patent that covered virtually all multimedia technology. When they tried to collect royalties, Microsoft pushed the Patent Office to overturn the patent. In 1992, Software Advertising Corp received a patent for “displaying and integrating commercial advertisements with computer software.” That’s like patenting the concept of a radio commercial. In 1993, a DEC engineer received a patent on just two lines of machine code commonly used in object-oriented programming. CompuServe announced this month that they plan to collect royalties on the widely used GIF file format for images.
The Patent Office has issued well over 12,000 software patents, and a programmer can unknowingly be in violation of any them. Microsoft had to pay 0MM to STAC in February 1994 for violating their patent on data compression. The penalties can be costly, but so can a patent search. Many of the software patents don’t have the words “computer,” “software,” “program,” or “algorithm” in their abstracts. “Software patents turn every decision you make while writing a program into a legal risk,” says Richard Stallman, founder of the League for Programming Freedom. “They make writing a large program like crossing a minefield. Each step has a small chance of stepping on a patent and blowing you up.” The very notion of seventeen years of patent protection in the fast moving software industry seems absurd. MS-DOS did not exist seventeen years ago.
IP law faces the additional wrinkle of jurisdictional issues. Where has an Internet crime taken place? In the country or state in which the computer server resides? Many nations do not have the same intellectual property laws as the U.S. Even within the U.S., the law can be tough to enforce; for example, a group of music publishers sued CompuServe for the digital distribution of copyrighted music. A complication is that CompuServe has no knowledge of the activity since it occurs in the flood of bits transferring between its subscribers
The tension seen in making digital copies revolves around the issue of property. But unlike the theft of material goods, copying does not deprive the owner of their possessions. With digital piracy, it is less a clear ethical issue of theft, and more an abstract notion that you are undermining the business model of an artist or software developer. The distinction between ethics and laws often revolves around their enforceability. Before copy machines, it was hard to make a book, and so it was obvious and visible if someone was copying your work. In the digital age, copying is lightning fast and difficult to detect. Given ethical ambiguity, convenience, and anonymity, it is no wonder we see a cultural shift with regard to digital ethics.

Piracy, Plagiarism and Pilfering
We copy music. We are seldom diligent with our footnotes. We wonder where we’ve seen Strat-man’s PIE and the four slices before. We forward e-mail that may contain text from a copyrighted news publication. The SCBA estimates that 51% of satellite dishes have illegal descramblers. John Perry Barlow estimates that 90% of personal hard drives have some pirated software on them.
Or as last month’s Red Herring editorial points out, “this atmosphere of electronic piracy seems to have in turn spawned a freer attitude than ever toward good old-fashioned plagiarism.” Articles from major publications and WSJ columns appear and circulate widely on the Internet. Computer Pictures magazine replicated a complete article on multimedia databases from New Media magazine, and then publicly apologized.
Music and voice samples are an increasingly common art form, from 2 Live Crew to Negativland to local bands like Voice Farm and Consolidated. Peter Gabriel embraces the shift to repositioned content; “Traditionally, the artist has been the final arbiter of his work. He delivered it and it stood on its own. In the interactive world, artists will also be the suppliers of information and collage material, which people can either accept as is, or manipulate to create their own art. It’s part of the shift from skill-based work to decision-making and editing work.”
But many traditionalists resist the change. Museums are hesitant to embrace digital art because it is impossible to distinguish the original from a copy; according to a curator at the New Museum of Contemporary Art, “The art world is scared to death of this stuff.” The Digital Audio Tape debate also illustrated the paranoia; the music industry first insisted that these DAT recorders had to purposely introduce static into the digital copies they made, and then they settled for an embedded code that limited the number of successive copies that could be made from the a master source.
For a healthier reaction, look at the phenomenally successful business models of Mosaic/Netscape and Id Software, the twisted creator of Doom. Just as McAfee built a business on shareware, Netscape and Id encourage widespread free distribution of their product. But once you want support from Netscape, or the higher levels of the Doom game, then you have to pay. For industries with strong demand-side economies of scale, such as Netscape web browsers or Safe-TCL intelligent agents, the creators have exploited the economies of information distribution. Software products are especially susceptible to increasing returns with scale, as are networking products and most of the information technology industries.
Yet, the Software Publishers Association reports that 1993 worldwide losses to piracy of business application software totaled .45 billion. They also estimated that 89% of software units in Korea were counterfeit. And China has 29 factories, some state-owned, that press 75 million pirated CDs per year, largely for export. GATT will impose the U.S. notions of intellectual property on a world that sees the issue very differently.
Clearly there are strong economic incentives to protect intellectual property, and reasonable arguments can be made for software patents and digital copyright, but the complexities of legal enforcement will be outrun and potentially obviated by the relatively rapid developments of another technology, digital cash and cryptography.

Digital Cash and the IP Lock
Digital cash is in some ways an extreme example of digital “property” — since it cannot be copied, it is possessed by one entity at a time, and it is static and non-perishable. If the techniques for protecting against pilferage and piracy work in the domain of cash, then they can be used to “protect” other properties by being embedded in them. If I wanted to copy-protect an “original” work of digital art, digital cash techniques be used as the “container” to protect intellectual property in the old style. A bullet-proof digital cash scheme would inevitably be adapted by those who stand to gain from the current system. Such as Bill Gates.
Several companies are developing technologies for electronic commerce. On January 12, several High-Tech Club members attended the Cybermania conference on electronic commerce with the CEOs of Intuit, CyberCash, Enter TV and The Lightspan Partnership. According to Scott Cook, CEO of Intuit, the motivations for digital cash are anonymity and efficient small-transaction Internet commerce. Anonymity preserves our privacy in the age of increasingly intrusive “database marketing” based on credit card purchase patterns and other personal information. Of course, it also has tax-evasion implications. For Internet commerce, cash is more efficient and easier to use than a credit card for small transactions.
“A lot of people will spend nickels on the Internet,” says Dan Lynch of CyberCash. Banks will soon exchange your current cash for cyber-tokens, or a “bag of bits” which you can spend freely on the Internet. A competitor based in the Netherlands called DigiCash has a Web page with numerous articles on electronic money and fully functional demo of their technology. You can get some free cash from them and spend it at some of their allied vendors.
Digital cash is a compelling technology. Wired magazine calls it the “killer application for electronic networks which will change the global economy.” Handling and fraud costs for the paper money system are growing as digital color copiers and ATMs proliferate. Donald Gleason, President of the Smart Card Enterprise unit of Electronic Payment Services argues that “Cash is a nightmare. It costs money handlers in the U.S. alone approximately billion a year to move the stuff… Bills and coinage will increasingly be replaced by some sort of electronic equivalent.” Even a Citibank VP, Sholom Rosen, agrees that “There are going to be winners and losers, but everybody is going to play.”
The digital cash schemes use a blind digital signature and a central repository to protect against piracy and privacy violations. On the privacy issue, the techniques used have been mathematically proven to be protected against privacy violations. The bank cannot trace how the cash is being used or who is using it. Embedded in these schemes are powerful digital cryptography techniques which have recently been spread in the commercial domain (RSA Data Security is a leader in this field and will be speaking to the High Tech Club on January 19).
To protect against piracy requires some extra work. As soon as I have a digital bill on my Mac hard drive, I will want to make a copy, and I can. (Many companies have busted their picks trying to copy protect files from hackers. It will never work.). The difference is that I can only spend the bill once. The copy is worthless. This is possible because every bill has a unique encrypted identifier. In spending the bill, my computer checks with the centralized repository which verifies that my particular bill is still unspent. Once I spend it, it cannot be spent again. As with many electronic transactions today, the safety of the system depends on the integrity of a centralized computer, or what Dan Lynch calls “the big database in the sky.”
One of the most important limitations of the digital cash techniques is that they are tethered to a transaction between at least three parties — a buyer, seller and central repository. So, to use such a scheme to protect intellectual property, would require networked computers and “live” files that have to dial up and check in with the repository to be operational. There are many compelling applications for this, including voter registration, voting tabulation, and the registration of digital artwork originals.
When I asked Dan Lynch about the use of his technology for intellectual property protection, he agreed that the bits that now represent a bill could be used for any number of things, from medical records to photographs. A digital photograph could hide a digital signature in its low-order bits, and it would be imperceptible to the user. But those bits could be used with a registry of proper image owners, and could be used to prove misappropriation or sampling of the image by others.
Technology author Steven Levy has been researching cryptography for Wired magazine, and he responded to my e-mail questions with the reply “You are on the right track in thinking that crypto can preserve IP. I know of several attempts to forward plans to do so.” Digital cash may provide a “crypto-container” to preserve traditional notions of intellectual property.
The transaction tether limits the short-term applicability of these schemes for software copy protection. They won’t work on an isolated computer. This certainly would slow its adoption for mobile computers since the wireless networking infrastructure is so nascent. But with Windows ’95 bundling network connectivity, soon most computers will be network-ready — at least for the Microsoft network. And now that Bill Gates is acquiring Intuit, instead of dollar bills, we will have Bill dollars.
The transaction tether is also a logistical headache with current slow networks, which may hinder its adoption for mass-market applications. For example, if someone forwards a copyrighted e-mail, the recipient may have to have their computer do the repository check before they could see the text of the e-mail. E-mail is slow enough today, but in the near future, these techniques of verifying IP permissions and paying appropriate royalties in digital cash could be background processes on a preemptive multitasking computer (Windows ’95 or Mac OS System 8). The digital cash schemes are consistent with other trends in software distribution and development — specifically software rental and object-oriented “applets” with nested royalty payments. They are also consistent with the document-centric vision of Open Doc and OLE.
The user of the future would start working on their stationary. When it’s clear they are doing some text entry, the word processor would be downloaded and rented for its current usage. Digital pennies would trickle back to the people who wrote or inspired the various portions of the core program. As you use other software applets, such as a spell-checker, it would be downloaded as needed. By renting applets, or potentially finer-grained software objects, the licensing royalties would be automatically tabulated and exchanged, and software piracy would require heroic efforts. Intellectual property would become precisely that — property in a market economy, under lock by its “creator,” and Bill Gates’ 1975 lament over software piracy may now be addressed 20 years later.

——–end of paper———–

On further reflection, I must have been thinking of executable code (where the runtime requires a cloud connect to authenticate) and not passive media. Verification has been a pain, but perhaps it’s seamless in a web-services future. Cloud apps and digital cash depend on it, so why not the code itself.

I don’t see it as particularly useful for still images (but it could verify the official owner of any unique bundle of pixels, in the sense that you can "own" a sufficiently large number, but not the essence of a work of art or derivative works). Frankly, I’m not sure about non-interactive content in general, like pure video playback. "Fixing" software IP alone would be a big enough accomplishment.

1960’s packet of sealed Embassy cigarettes unopened best selling cigarett brand of the 1960’s until 1971, succeeded by Players No6
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Image by Computer Poster Photographs
Cigarettes have been available packets for a long time The fraze "Coff in nails" Is a old 19th century word (1880s) Only fitting because the like of brands that came out with natural, especially like "WoodBine" 1888) and knowing the dangers of smoking even then. called cigarettes "coffin nails" The Bonsack machine in 1880 was the first cigarette making machine ever Woodbine was formally britains best selling cigarette and was decomissiomednon its 200th aninversery in 1988 when the manufactuer Wd&Ho Whills decided to debunked because of old age and call it a day at 200 years old. they was also the manufactuers odd Golden Virginia, and Embassy. in Britain not many brands have been Britains best selling cigarette, since the end of end of the 1940s there is only four brands that ever did this(Embassy, Players N06, Silk Cut and Lambert and Butler) Benson&Hedges special filter was never actually britains best selling cigarette, as there is no evidence in figures to say they was, also there is no figures published for the 1980s, maybe four brands drew with each other, so there was no out right winner, maybe Bensons had individual yeas a britains best selling cigarette and a good enough average of sales in infact qualify them for said award?. I guess maybe even though they never was beat seller in a decleration adequate they surly had lots of individual years where they was UK’so Number1. Silk Cut is a Benson brand any way, and so is Mayfair in reality. Mayfair are Britains second best selling cigarette since 2002 (First ever econemy tobacco brand that ever held the honour of Britain’s second best selling cigarette, L&B have been The UKs best seller since 2002, the top two have not changed to date., Mayfair are branded Gallagher, and now JTI that are the same company as Benson.. Mayfair is a 1960s Benson cigarette, originally in a red box, and not king size.
Silk Cut themselves was the biggest selling cigarette brand of the 1990s,
I might add.The worlds best selling cigarette is Marlboro since 1973 AS THE AMERICANS ALL THEM AS "COWBOY KILLERS" INDEED I AM A SMOKER AND I WOULD LIKE TO SAY THAT IS INDEED DANGEROUS TO ARM THESE CIGARETTES WITH A GUNS.
OLD CIGARETTE BOXES CAN FETCH A LOT OF MONEY UP TO A (£100 )ORIGINAL CIGARETTE PACKETS FROM 1847 TO THE 1890s ARE RARE AND WORTH A £ OR TWO, BUT REMAIN Unseen UNDOCUMENTED IN A PRIVATE COLLECTION BY A UNKNOWN COLLECTOR. IN INTERNET DOCUMENTATION, YOU MAY FIND DIAGRAMS ELSEWHERE BUT AT THIS MOMENT IN TIME THERE IS NO REAL DOCUMENTATIONAL EVIDENCE TO SHOW THESE EARLY CIGARETTES, SAYING THAT WE HAVE BEEN SMOKING IN BRITAIN FOR APPROX 540 YEARS OR MORE. THERE IS LOTS OF MEMORABILIA OUT THERE, IVE SEEN A FEW THREE HUNDRED YEARS OLD BRASS TOBACCO POTS WITH LIDS FOR SALE ON EBAY, NICE ADDITION TO YOUR 14 A DAY, WHY DO THEY STILL MAKE CIGARETTES? BECAUSE WE GET BAD TEMPERED IF WE HAVE NOT GOT ANY AND AGGRESSIVELY FORCE THE TOBACCO FACTORY WORKERS TO MAKE US SOME? WELL THAT MUST PASSED A MIND OF TWO WONDERING TO OURSELVES AFTER ALL KNOWING THE DANGERS OF SMOKING, TO AS WHY WE ARE TECHNICALLY STILL SMOKING THESE SMOKE STICKS THAT MAKE YOU FEEL SICK, MAYBE THEY ARE OUR PAIN THRESH HOLD, AND DEFEAT ANOTHER ILL. IF WE ENDURE THEM?
THE GOVERNMENT KNOW WHAT WE ARE LIKE. AND THAT’S WHY THEY CAN’T BAN THE STUFF? I HAVE BEEN PUFFIN AND INHALING TOBACCO PRODUCTS FOR 30 YEARS. IN THEM DAYS. 20 SUPERKINGS WAS £1.14p that about £3.40p in today’s reckoning. over £5 now is paid in tax on cigarettes (75%)
.Tax was introduced in 1976 and health warnings on packets in 1971 by EU law. knowing the dangers of smoking as i do i must say there is still mythology and confusion about cigarettes. Such as the boy advert on todays graphic health warning.that claim that "even smoking around children can kill them" and that people "up to the 1950s use to smoke a average of 100 cigarettes a day" opposed to today’s figures of 14 a day average intake. Its where the system gets confused, and the seems as if the non smoker is trying to take control, and make false claims such as "smoking around children damages there health", When infact most of us smokers would rather be the child as they have 99.9% fresher air than us non smokers do, whether or not there is smoke in the same room as they are in, and the smell of nicotine is good for them , as it makes them feel sick and deters them from smoking when they are old enough to do so, parents on the whole do not encourage children to smoke, it comes as well from other parts of the community, anyway there parents are not to blame for smoking, because they was children themselves once. Maybe a ignorant non smokers attitude at the end of the day to use children as the victim.
100 cigarettes a day is a myth? maybe maybe because cigarettes price have gone up five times , so they count that as 100? another case of misinterpretation of the official secrets act because they could not read the complexity of the text, these long words, and invest in PHD professors to de classify the official secrets act as official public revelation?
Jut like China did when they banned the motorbike recently, and never read the health and saft act out first as you must, but said they was not banning them from there towns because they was dangerous, but said because they was cheap, it is not so much they said they was a cheap form of transport, but they should have read the health and safety act out first, then you as thus say "there is better things to spend our money on"
.There has been Health warnings in BRITAIN FOR OVER 400 HUNDRED YEARS ON TOBACCO. I READ ONE RECENTLY DATED 200 YEARS AGO SAYING "SMOKING KILLS" THERE ARE INFACT 12 MILLION SMOKERS IN BRITAIN
AGAIN THE FIGURES WAS LOWERED TO HIDE A KIND OF NON SMOKERS PARANOIA WHERE IS THE EVIDENCE THAT SMOKING IS ON THE DECREASE? ANYWAY HERE IS YOUR TOP TEN ALTERNATIVES TO SMOKING YOU ASKED ME FOR. CHOOSE YOUR OWN DEATH. JUST CHECK THAT TAB . YES YOU CAN "CUSTOMISED YOUR OWN DEATH" INSTEAD OF DYEING FROM CIGARETTES. CHOOSE FROM THE LIST PROVIDED AS A ALTERNATIVE INSTEAD
1- DRINK AND DRIVE?." ITS A FUN WAY TO GO"
US AT MADABOUT@COM CAN OFFER YOU THE BEST DEALS ON MASTER OF YOUR OWN ROAD, .WARNING BEWARE OF THIS WEBSITE AS THE PRODUCT IS A SEMI RIPP-OFF AS THEY ONLY SUPPLY A IN CAR BAR FITTING. NO TRAINING TO DO 125MPH ON A BUILT UP AREA FOR CHARITY DRUNK.
2- CONFESS TO THE POLICE YOU ARE REALLY A PAEDOPHILE? AT MORE T-I-C,s THAN A CLOCK .COM we can arrange this for you ,the setting up of fake photos,,witnesses to the crime, children in there masses can be supplied on demand to give false witnessbaccounts, as we are indeed the "biggest UK supplier" of said resource. guaranteed satisfaction, or "we will refund you your mumy back "GUARANTEED".
AGAIN IT MUST BE SAID BECAUSE OF THESE SITES CLAIMING TO BE PROFESSIONAL PEDO FRAME SPECIALISTS. YOU CAN END UP SPENDING A LOT OF MONEY "DIE PEDO DIE.CO.UK@YOU" ARE THE WORLD LEADER IN THIS INDUSTRY. THEY GET TO THE POINT. DON’T TAKE IT FROM ME, TAKE IT FROM THEM. THEY JUST SIMPLY SUPPLY YOU WITH A DIGITAL CAMERA, OR CAMCORDER. SIMPLE ISN’T IT JOB DONE BECAUSE WE ALL KNOW THAT PEOPLE IN PUBLIC WITH CAMERAS ARE PEDO’S RIGHT? !THIS HAS A 100% SUCCESS RATE, OR YOU MONEY BACK GUARANTEED EXCUSE ME AS I GIVE MY SPONSOR A HELP IN HAND I AM JUST LOOKING OUT OF MY CAR WINDOW RIGHT NOW, I AM HERE TO PLEASE I CAN SEE A MEMBER OF THE PUBLIC NOW WITH A SLR. camera,"HAY YOU PEDO WHAT ARE YOU TAKING PICTURES FOR IN PUBLIC FOR, ARE YOU A REAL PERV? THAT’S AGAINST THE LAW TO TAKE PHOTOS IN PUBLIC PLACES I AM TELLING ON YOU PEDOCAM"
THERE YOU GO I OFFER MY SERVICE AS VOLUNTEER.
,3 -WATCH THE BBC ,4- LIVE, WITH MUM AND DAD ALL YOUR LIFE?
,5- SMOKE CHESTERFIELDS?,
6-USE TESCO’S 24HOUR?,
7-BELIEVE THAT BREAST ENLARGEMENTS ARE REAL?
8- LIVE ON FACEBOOK (THE STUDENTS UNION HAVE A GOVERNMENT HEALTH WARNING WRITTEN ON THEIR BACKS?) and behind there backs.
-9 USE FLICKR 16 A DAY, ARSEH*LE CREEPING AROUND OTHER FLICKR MEMBERS. LOOKING AT THERE PHOTO STREAM, LEAVING COMMENTS SO YOU CAN GET MORE VIEWS FOR YOUR BORING PICTURES PLASTIC? SYNTHETIC VIEW COUNT CHEAP OR WHAT?
. I MEAN AT HALF THE PRICE TWO FOR ONE OFFER! LIMITED PROMOTION TIME ONLY, OFFER END 30/09/2078.
YES WE GET IT THAT YOU VIEW EVERBODYS PHOTSTREAM, SO THEY WILL VISIT YOUR FLICKR WEBSITE, TO CONTRIBUTE TO THE DIGITS, TO INCREASE THEM SO IT LOOKS LIKE A MASS POLITICAL COVER UP, THAT IN ALL OTHER CIRCUMSTANCES WAS THE BORING HOME SLIDE SHOW COME ALIVE, COME REAL, CONCOCTED IN BEELZEBUBS LABS, USING ONLY "BLACK BUNNIES" TO TEST SAID APPLICATIONS OF DEEP BORE, ONLY CAPABLE AS WE KNOW BY THE COPYRIGHT LAWS TO BE EXCLUSIVE TO THE UNDERGROUND TEST FERSILATIES OF THE DEVIL.
I WILL JUST READ THE MANUFACTURES GLOSSY ON THIS SITE CALLED death-by-flickr@uk.com.
You mean flickr was concocted by the underworld, to fool us to believing different from what we all ready knew, and that was that other peoples photos are boring?
No you get done in by a dunce that contacted you on your flickr stream, and got friendly and then they came around and and killed you.

AND LAST BUT NOT LEAST No-10 "give up smoking" all together now "smoking kills" IT DOES IF YOU HAVE NOT GOT ANY THIS IS GUARANTEED BY TH MANUFACTURERS CALLED GOOGLE.BOMB TO BE THE ONLY REAL ALTERNATIVE TO SMOKING CIGARETTES "GOOGLE.BOMB".UNIVERSITY KNOWALLS@CO.UK claim a 100% success rate on my spelling…erm i mean on this particular subject product description highlighted on top of the Pops 1978. WE ARE HERE TO SERVE THE SMOKING COMMUNITY. JUST DOWNLOAD THE SOFTWARE CLICK "RUN" and when the yahoo tool bar is fully downloaded press INSTALL US AND ARE FRIENDS YAHOO WITH ASK JEAVES ON LEAD BASEBALL BAT, CAN HAVE "ANY F***ER" YOU SEEMED TO KNOW THE SPELLING CORRECTION ON THAT DIDN’T YOU? JUST YOU LITTLE B*STARDS OF INTERNET FLIDDERMISATION-KEYBOARD JUNKY CLONES "WE ARE ARD" and thus "GUNS DON’T KILL PEOPLE , WE KILL PEOPLE". us at cog-google re-enterprises forward-slash-you-up-a-bit@http. can do anyone. So tell me now you have herd the top ten options whats your choice? you only live one life life’s to short not to take advantage of these offers why not try a free 30 day trial download them all and brake your hard drive rendering your PC useless maybe that’s the "11th best alternative to smoking" that no one is offering us smokers so in the mean time as i light another JPS up. oh that’s a add as it illegal to promote cigarettes. (in other words they need no introduction. that’s why they don’t promote cigarettes anymore
And before i totality CoggGoogle looking at the internet all the time, stripping the gears i have to say to the next time.

You was serious there for a minute wasn’t you John Future?"

Indeed because i was dying for a cigarette, so back to normal now with Dr Dr

"Dr Dr i cant give up smoking". Dr says try hand grenades, just juggle them until they expire.

Maybe thinking about it though if it was not best to ship all of the smokers out on big ships and put them all on a island somwhere, and maybe put there faces on a Easter egg as a "Thanks" but no thanks, the supermarkets are now hiding the cigarettes behind sliding doors, and so should smokers be?

"But we are not black you may say?"

But i got a shipping line to run, and get this "Duty Free" where do you want to go? Easter island?

"WE will re invade the UK, and ethnic every where. The Cannery islands"

Ok lets go anyway i will becoming along with you as the government does not like me either.

"We will miss home"

Miss home i am just taking you on a cruise tour of my New Album, as this is a smugglers ship, and if anything goes wrong don’t worry you take the blame. Last stop Felixstowe

And we have to stop to pick up some cars, and other items. As we don’t intend on paying any VAT once we arrive back, excise duty is really means exercise duty, but as we are "Fat Wasters" we don’t qualify to pay for any. and you want out of Britain don’t you? to go and live in other peoples countries, the land of promise. And get this we can scream racial discrimination with the best off them. Have our foreign faces put on TV programmes in other county. embarrass there society when other competitor country’s watch there exported TV programmes. as they are now ethnicated broadcasters?
Have have" White nigger" shouted to us by a passing white van, and then as always thus, go and find a puney little native and bash beefy Because you are in the right?
We all know people emigrate to other peoples country’s because they think they are soft targets, and they will get a better life, better house than living in there own countries , or the UK, and you think it was because they was on the run?.
I have simply cut out the middleman here with my ship, and intercepted some ethnics to be, and sank the ship in the middle of the ocean with there grandads left over submarine missile, he was innuendoing about for years, and "Germans this and that".
And i got a big bumper pack of 200 Embassy, and get this duty free for my Captain Seagull efforts today.

You mean shoot the ethnics living in Britain, and the British nationals living abroad?

YES AND YOU TAKE THE BLAME. FOR LETTING THEM DO THIS IN THE FIRST PLACE.

Granted IT WAS NOT MY NUCLEAR MISSILE FROM POUND LAND THAT SANK THE EX PATS TO BE SHIP.
It was sank by imagrents arriving to come into Britain(there own worse enemy’s).
But you take the blame anyway, because you thought it in your best interest to do such a thing, its written all over your face "you are as bad as them" and if they get it you get it, law of advantages and the law also says "75+% tax. and i guess i will be getting a cut in that. BECAUSE YOU ARE GOING TO TAKE THE BLAME FOR WHAT I JUST DID, I SIMPLY CUT OUT THE MIDDLEMAN, AND "SANK RULE BRITANNIA -1" ON IT’s MAIDEN VOYAGE because they was apprentice ethnics.
call IT A MIX OF PERKS OF THE jOB AND ACT OF CHARITY.

Indeed you at home that never left these shores, along with foreign people abroad in there said counties that never emigrate.and are indiginous to the tee, are as bad as them. How could you be any different?
Do you really think we could have got away with being that racist for long ? No. Because they are all in together, Trust no one, you will be informed on at any moment in time. aproach with caution. It’s best to take the piss out of both sides and this is as we know called "Job satisfaction" You canot have your cake and eat it? Because it was a piece of cake.

Things to know about China zinc die casting moldmaking

Things to know about China zinc die casting moldmaking

Die casting was first invented in the year 1838 which proved to be a major innovation in the printing industry. The first patent was granted in the year 1849 and there was no looking back for this game-changing scientific discovery. Die casting facilitated growth for a lot of consumer goods and day to day material. It not only accelerated the human race but made a lot of goods more affordable to mankind.

What is die metal casting?

Metal casting is a simple process by which a molten metal is forced into a mold cavity under very high pressure. Two tool steel dies are necessary to create a molten cavity. The steel dies are then shaped using a machine. Die castings are prepared using metals such as aluminum, lead, zinc, copper etc. The machine chamber temperature depends on the variety of the metal used. Material like zinc requires a cold chamber die casting.

Why is China zinc die casting preferred?

Out of Magnesium, aluminum, lead, copper, zinc is preferred for die casting due to a number of advantages. For a starter, zinc is the most economical of all the metals available for die casting. Due to its high ductility, it is one of the easiest metals to cast. Zinc has a relatively higher impact strength which promotes the die life to a longer extent. Since zinc can be easily plated, preparing small parts becomes easy for the manufacturer.

What are the main advantages of zinc die casting?

There are many advantages of zinc die casting. The dimensional accuracy of zinc is as good as 0.1 mm. Zinc can be used to produce thinner walls that prove to be extremely beneficial for industrial usage. A smooth cast surface along with a high tensile strength helps to scale the production rate in a short time interval.

Types of die casting:

There are two methods of die casting- hot chamber die casting and cold chamber die casting. Both the methods are segregated by their clamping force. While the first method relies on the molten metal that needs to be fed to the die, the second method is used when a casting alloy becomes difficult to use in the hot chamber.

Industrial application of zinc casting:

There are widespread industrial applications of China zinc die casting moldmaking. From kitchen appliances to bathroom fittings, hair drier to razor, mixer to car sit belt, zinc die castings are used almost everywhere. Perhaps the biggest application of the zinc die casting is that it is used to make zipper- which is used in every sphere of life.

The sustainability factor of Zinc:

Zinc is the 17th most commonly occurring metal that is found in the crust of the earth. Its recyclable nature makes it the most preferred choice among all die casting elements. Post the die casting life cycle a zinc-based material can be recycled to any steel based material. Another important factor that makes zinc the preferred choice is its razor sharp precision without having to use any machine to do so.

There are widespread industrial applications of China zinc die casting moldmaking. From kitchen appliances to bathroom fittings, hair drier to razor, mixer to car sit belt, zinc die castings are used almost everywhere.
Cool China Two Shot Mold Manufacturer images

Cool China Two Shot Mold Manufacturer images

Some cool china two shot mold manufacturer images:

RA – RE – Historical Bristol Street Directory 1871
china two shot mold manufacturer
Image by brizzle born and bred
Mathews’ Bristol Street Directory 1871

Rack Hay, Back Street

Raglan Place, Stapleton Road

Railway Cottages, King Street, Bedminster

Railway Terrace, Kingsland Road

Ranger’s Court, Lamb Street

Ranson’s Court, Bragg’s Lane

Red Lane, Redcliff Meads

Redcliff Back, Redcliff Street

www.flickr.com/photos/brizzlebornandbred/sets/72157615761…

William Baker & Sons, corn merchants www.flickr.com/photos/brizzlebornandbred/2060341010
Bram & Son, coopers, etc
P. Rowe, steamship agent
Harris & Sellick, rag merchants
Thomas Davis, coal merchant
Richard Cripps, wharfinger
Lucas, Brothers & Co. Redcliff wharf

Edward Mill Veal, vict, Carpenters’ Arms (pub) 1816. William Lockwood / 1820. James Warbutton / 1823 – 32. James Jones / 1834 – 39. Elizabeth Jones / 1840. Thomas Kerslake 1842 – 44. Jane Prewett / 1847. William David / 1848 to 1853. Edward Johns / 1854 to 1855. Mary Johns 1856 to 1857. Gregory Davey / 1858 to 1860. John Mallett / 1861. Eleanor Mallett / 1863 – 75. Ann Osborne / 1876 to 1878. R. E. Veal 1879. Edward Veal / 1881. James Andrews / 1882. Fanny Andrews / 1883. James Pollard / 1885 – 87. Sarah Hughes 1888. Sarah Williams / 1889. George Nott / 1891 – 99. Henry Davis / 1901. Mrs. E. Davis / 1904 – 09. Elizabeth Hinton. Edward Johns was also a fire brick maker

Redcliff Buildings, Redcliff Hill

Redcliff Crescent (east, west, & centre) York Road, Bedmister

Redcliff Hill, Redcliff Street to Bedminster Bridge

www.flickr.com/photos/brizzlebornandbred/sets/72157615761…

1. George Gardiner, surgeon
5. John Coles, joiner
7. William Morse, surgeon & dentist
8. Henry Hart, ship surveyor and valuer
9. William John Knight, plumber & painter
10. Webb & Thomas, milliners
11. J. W. Willway & Co. dyers, Redcliff house www.flickr.com/photos/20654194@N07/2052840014
12. Charles Hanney, Co-operative Society Stores
13. John Hillier, basket maker
14. Mrs Tidcombe, earthenware dealer
29. Elizabeth Jane Harris, dyer
John Tutt, hairdresser
14. John Webb, dairyman
Mrs Bethell, dress maker
15. Cleophas Shaddick
William Prowse, carpenter
16. Robert Long, saddler, etc
17. Josiah Harris, pawnbroker
19. John McCartney, currier
20. Charles Sherwood, baker
22. Frederick Harding, pork butcher
24. William Stone, paper hanger
25. Samuel Mansfield, boot maker
26. Alfred Martin, boot maker
27. Alfred Whittle, greengrocer etc
28. William Orchard, pork butcher
29. William Henry Richards, dentist & watch-maker
30. John Mathews, butcher.
31. George Williams, grocer
32. Robert Henry Smith, potato stores
33. John Thomas Wilkins, tailor
34. James Thomas, hay dealer
36. William James Hall, grocer
37. Aldred D. Collard, butcher www.flickr.com/photos/20654194@N07/2042727109
38. Charles Harrison, confectioner
William Merrick, builder & professor of singing, Rossini villa
39. Theophilus Ackerman, druggist
6. Henry Thompson, saddler, etc
7. Mary Ann Garland, straw hat maker
8. John Peace Couch, boot maker
9. William Kirk, news-agent
11. William Frederick Sheppard, hatter
12. David J. Thomas, hosier
13. John Coates, watch maker
14. William Goulter, chemist
15. Albert Edward Flux, linen draper, etc
16. Elizabeth Jones, confectioner
17. Miss Sheppard, greengrocer
17. Robert S. Cole, plumber & gas-fitter
18. Henry Kent, butcher
19. Jacob Smith, confectioner
21. Joseph Henry Green
Redcliff Girl’s School – Mrs. Green, governess
22. Thomas Stephens, wine & spirit dealer
36. John R. Farler & Son, family grocers
37. William Heyman, oil & color-man
69. James Mantle, linen draper
71. William Clark Gobbett, linen draper
72. George Smith & Co. furnishing & lronmongers
77. James Venn & Son, tobacconists
78. Joseph Hooper, butcher
78. Farnham, Budgett & Co. tea dealers
47. Henry Charles Pope, confectioner
48. Rupert A. Weare, baker & corn merchant
49. Samuel Robert Long, spirit merchant
50. John Pitman, chemist and druggist
51. William H. Olive, pawnbroker & silversmith, etc
52. Thomas Fryer and Hallett, surgeons
53. Thomas Williams, linen draper
54. Henry Pugh & Son, family grocers

Sheldon, Bush, & Co. patent shot & lead pipe manufacturers www.flickr.com/photos/20654194@N07/2059560841

58. Samuel Seex, grocer, etc
59. Joseph Stock, linen draper
60. Edward Lucas, boot maker
61. J. H. Manning, provision dealer
62. George Powell, stationer & news-agent
63. Henry Thorne, grocer and tea dealer
64 William Edwin Jones, boot maker
64. J . & W. E. Jones, house agents
65. Joseph Willis, butcher
66. John Hayland, hatter & silver lace manufacturer
67. Baker, Houghton & Co. ironmongers
68. George Gardner, boot maker
69. F. & C. Northam, tea dealers, etc

70. Mark Sellick, vict, Boar’s Head & Redcliff Tavern (pub) On the corner with Jones’ Lane, the Boar’s Head narrowly missed demolition in 1936 when the new inner circuit road was cut through the bottom of Redcliff Hill. The pub then survived until 1941 when it was flattened by Hitler’s bombs. bristolslostpubs.eu/page149.html

57. William Turvey, vict, Ship (pub) The Ship Inn was re-built in 1860, it stood across the road from St.Mary Redcliffe Church and was next door to the famous shot tower, it once had stables and a coach house at the rear. A popular jazz venue in the 50’s and 60’s, the pub and the shot tower were demolished in 1968 to be replaced with office buildings. bristolslostpubs.eu/page168.html

70. William Rice, vict, Waggon & Horses (pub) Among the last buildings on Redcliff Hill to be demolished to make way for the new dual-carriageway in 1969. bristolslostpubs.eu/page170.html

35. John Crook, vict, Talbot Inn (pub) 1792. Lawrence Boucher / 1794. William Oldfield / 1800 – 06. Thomas James / 1816. William Sargeant / 1820 – 34. Ann Pillinger 1837 – 52. Ann Sinnett / 1853. George Sinnett / 1853. George Burgess / 1854. George Crook / 1855 to 1874. John Crook 1875 to 1877. Sarah A. Crook / 1878 to 1888. William Tudball / 1889. James Nash / 1891. William Eades / 1891 – 94. Ellen Eades 1896. Arthur Hulbert / 1897. Charles David / 1899 – 1904. Sarah Cox David / 1909. Ellen Jane Gray.

10. Mary Ann George, porter stores, vict, Albion (pub) 1871. Mary Ann George / 1872. George Cleverly / 1874 – 78. John Leakey / 1879 to 1891. Henry Peters / 1892 – 96. Dick Smith 1899 – 1901. Arthur Callaway.

6. ?. Clarke, vict, Hope & Anchor (pub) A coaching inn with stables and a large courtyard at the rear, this pub received a direct hit in the war and was burned to the ground. The site is now occupied by offices. bristolslostpubs.eu/page161.html

18. James Vincent, vict, Star (pub) Just three doors up from the Berkeley Castle, the Star is pictured here during the tenancy of Thomas Court, this is probably Mr. Court stood in the doorway. The Star ceased trading around the time of the first world war when the building was taken over by printers: The General Publishing Syndicate Ltd., who still occupied the building prior to its demolition in 1961. bristolslostpubs.eu/page245.html

21. Robert Oram, vict, Berkeley Castle (pub) The Berkeley Castle, and two doors down the hill the Lord Nelson, both these pubs disappeared in 1961 when the south east side of Redcliff Hill was cleared to make way for new flats and road widening. bristolslostpubs.eu/page147.html

23. James Potter, vict, Lord Nelson (pub) The Lord Nelson with its large Bristol United Breweries sign, and two doors to the left the Georges’ & Co. sign of the Berkeley Castle, all these buildings were demolished in the early 1960’s for road widening. bristolslostpubs.eu/page172.html

William Sage, vict, Shepherd’s Rest (pub) No.29½ Redcliff Hill (later No.113) 1867 – 68. Thomas Thomas / 1870 – 75. William Sage / 1876 – 79. Charles K. Parker / 1881 – 83. Joseph Sidaway / 1886. Mrs. Sidaway 1887. S. Hatherly / 1889. Walter Jones / 1891 – 96. Samuel Hale / 1899 – 1904. Betsy Browning / 1906 – 09. James Taylor.

35. Philip Thomas, vict, George & Dragon (pub) On the corner with Redcliff Hill. The pub was demolished in 1961 to allow for road widening as part of the second Bedminster bridge roundabout scheme. bristolslostpubs.eu/page158.html

Redcliff Brewery No.107 Redcliff Street, built in 1640, this old building like many others in the area was lost in the blitz. The brewery entrance would have been at the rear of the building on Redcliff Back where there was once a pub called the Brewers’ Arm. bristolslostpubs.eu/page248.html

Redcliff Mead Lane, Temple Gate to Cathay

Sarah Station, shopkeeper
E. Mackervoy, grocer and dairyman
Henry Saunders, greengrocer
Robert Batten, shopkeeper
Bishop & Butt, brewers, Redcliff Mead brewery

Jesse Reeves, vict, Neptune (pub) 1853. George Castle / 1861 – 63. John Bennett / 1865 – 66. Maria Bennett / 1867 to 1868. E. Ellbury / 1869 – 77. Jesse Reeves.

Richard Bush, vict, Barley Mow (pub) 1865. John Poole / 1867. J. Smith / 1868 – 89. Richard Bush / 1891 – 1904. Stephen Bush.

Redcliff Parade, Redcliff Hill

(East)

Redcliff National School (see comments below for schools in the Redcliff area).

Thomas Randall, master of schools
William Tremayne
James Knight, lodging houses
John Boon
Richard Stock, butcher
G. Symons
Daniel Taber
John Hannam, accountant
Nathaniel May
Mrs Reynolds, teacher of music
George Jackson
Mrs Prewitt
William Fry, master mariner

(West)

William Middleton Gibson
Richard & William King, African merchants
Henry Arundell Day, M.D. surgeon
Henry Brain
John C. Cummins
Donald Claxton
Robert Long
Robert William Ellis, surgeon
?. Helyer, dentist
James Logan, surgeon, M.D.
William H. Pugh
Samuel John Harris
William Hutchings

Redcliff Place, near Redcliff Hill

Redcliff Square, near Redcliff Hill

Redcliff Street, Bristol Bridge to Redcliff Hill

www.flickr.com/photos/brizzlebornandbred/sets/72157615669…

1. T.C. Stock, paper-hangings manufacturers

2-3. E.S. and A. Robinson, wholesale Stationers, printers, etc www.flickr.com/photos/brizzlebornandbred/2132253987

4. Finch and Godwin, wire workers www.flickr.com/photos/20654194@N07/2052839570

5. J. Hooper, poulterer
6. H. Hooper, victualler bristolslostpubs.eu/page141.html
7-9. H. Prichard & Co. oil merchants
11. Edwin Gale, grocer
12. Thomas & Joseph Weston, iron merchants
13. Wills & Co. tobacconists www.flickr.com/photos/brizzlebornandbred/sets/72157603345…
13. Jacob Saunders, glass and moulding warehouse
15. Elizabeth Butterwick, stationer & music seller
16. S. & J . Newman, cabinet makers
W. Inch, japanner
17. Neat & Co. tripe merchants
17. Charles H. Chavasse, Birmingham goods warehouse
19. John Thomas, Sons & Co. wholesale grocers
20. Samuel Jacques Fear, plumber, etc
21. T. Bolwell, milliner
22. W. V. Lott, brush maker
23. George Taylor, wine & spirit merchant
21. A. & J. Warren, wholesale druggists
25. Elizabeth Bozley, grocer
27. Joseph Wacks, print seller
28. J. & S. Powell, cork cutters
29. Stiff & Fry, starch and blue makers
30. George Smith, butcher
33. T. Batson, boot maker
34-35. E. Fear, furnishing warerooms
36. ?. Thorne, cabinet maker
36. O. Ball, bellows maker
38. William Hudson, grocer
39. John Miles, earthenware dealer
40. Samuel Sweet, carpenter
Elias Wills, currier
John Jones Willie, japanner
41-42. Sanders & Ludlow, wholesale confectioners
43. William Wood, cabinet maker
49. C. R. Claridge, marine stores
51. William James Martin, boot maker
53. M. Kingston, vict. and builder
54. John Sturt, greengrocer
55. Charles Selfe Winterson, brass founder, etc
56. John Dando, furniture broker
57. Edward Fisher, outfitter
58. Robert Clarke Bartlett, milliner, etc
Thomas Williams, plumber, etc
59. Jacob Joel, boot maker
60. E. Brison & Co. brush & bellows makers, etc (Later moved to Peter Street) www.flickr.com/photos/20654194@N07/6133055828

61. H. S. Willett, spirit vaults
62. J. Derham, butcher
63. Thomas Frankham, general dealer
64. Baker, Houghton & Co. wholesale ironmongers
65. H. B. Osborne, plumber, etc
66. Richard Pullin, pork butcher
67. ?. Cowens, eating house
68. R. Dadley, cutler
69. Newton, Son, and Heanes, brass founders
71. Frederick Brice, eating house
72. S. Nelson, butcher
73. J. King & Co. wholesale confectioners
76. W. H. M’Guiness, outfitter
77. George Davidge, hair dresser
78. George Mitchell, fishmonger
80. John Slade, wheelwright
81. William A. Pedler, stay maker
82. B. Lazarus, pawnbroker
83. Mrs M. Summers, milliner
72. Thomas Lane, butcher
73. T. H. Davis, linen draper
74. T. Hasell, grocer, etc
75. G. Grant, baker, etc
76. James Mee, boot maker
77. S. J. Cross, linen draper, etc
78. J. Atkins, watch-maker
Thomas Atkins, stationer, etc
79. Boon & Son, ironmongers, etc
80. Alfred Isaac Davis, draper & milliner
81. R. & O. Warren, wholesale druggists
82. John O. Cummins, pawnbroker
83. Bees & Fear, wine & spirit merchants
84. T. Pearce, boot maker
85. M. A. Orchard, pork butcher
86. T. Dyer & Co. grocers, etc
87. William Gillard, fruiterer, etc
Nathan Parkin, printer & stationer
William Gray, glass and china dealer
88. Mrs Millard, servants’ registry
89. Billett & Co. outfitters
90. Edwards, Ringer, & Co. tobacco & snuff manufacturers. The firm of Edwards, Ringer & Bigg (Bristol) which is a combination of four old Bristol tobacco businesses, traces its origin to 1813 when William Ringer set up business in Bristol. www.flickr.com/photos/20654194@N07/2058988369

91. William Quick, bookseller
92. Edward Nott, confectioner
93. Jane Osborne, confectioner
94. R. C. Bartlett, bonnet warehouse
95. S. Holmes, boot maker
96-98. C. T. Jefferies & Sons, booksellers, printers, etc
100. W. A. Latham, currier and leather-cutter
101. J. & M. Warry, watch-makers
102. Richard Gibbs & Son, linen drapers
103. Elizabeth Clarke, confectioner
104. Harding & Co. wholesale stationers
105. J. Curtis, baker
106. John Cory Withers, hatter
107. Sykes & Co. brewers Daniel Sykes & Co. Ltd merged with Bristol United Breweries Ltd in 1897 and the brewery was closed down in 1898. For a list of south Gloucestershire pubs tied to the Redcliff Brewery in 1891 click on link www.gloucestershirepubs.co.uk/Breweries-Database-Tablevie…

108. John King, cabinet maker
110. Wills & Co. tobacco manufacturers
113. Peters and Taylor, tin-plate & galvanized ironmongers
114. Collins & Roper, druggists’ sundries dealers
115. Gerrish & Sainsbury, wharfingers ( is a term for a person who is the keeper or owner of a wharf).

116 J. & S. Gillard, rope and haircloth makers
117-120. Purnell, Webb, & Co. tobacco manufacturers & vinegar makers freepages.genealogy.rootsweb.ancestry.com/~cbennett/brist…

121. E. L. Box, seedsman
122. Thomas Taylor, druggist
123. E. Moore, tallow chandler
G. & T. Spencer
124. Wansbrough & Co. wholesale stationers
125 J. B. Moore, soap & candle manufacturer
126. Isaac Davis & Son, carvers & gilders
127. J. C. Wall, railway depot
128. Edwin Jones & Co. Glasgow Iron Foundry blacksmiths.mygenwebs.com/iron-1.php
135. J. Green, cutler
136. Danks & Sanders, wharfingers & carriers, Bull wharf www.flickr.com/photos/brizzlebornandbred/7326771060

136. Griffith & James, slate merchants & slaters
137. Jonathan Bryant, tea merchant
138. W. Harding, fish curer
139. Aaron Diamond, tin-plate worker
140. Godwin, Warren, & Co. iron merchants www.flickr.com/photos/20654194@N07/2130787804

142. Turner, Nott & Strong, corn merchants
143. T. Fogaty, wharfinger
144. Mary Hooper, butcher
145. John Dennis, ironmonger
146. D. Harries, linen draper

26. M. Flower, vict, Queen’s Head (pub) 1752. Charles Wood / 1792 – 1806. William Williams / 1816 to 1840. Samuel Rich / 1840 to 1857. Mary Ann Rich 1858 to 1871. Marshall Flower.

37. James Pye, vict, Little Ship (pub) 1775. John Dally / 1794. Sarah Devereux / 1800. Mary Bevan / 1806 – 16. George Oliver / 1820. Thomas Siviter 1823 – 28. Sarah Siviter / 1830 – 31. James Battle / 1832. William Thomas / 1834. ? Heath / 1837. Thomas Jones 1839 – 40. Mary Robertson / 1842. William Wilcox / 1847 – 71. James Pye / 1872 – 78. Henry George James.

Sarah Gregory vict, Old Arm Chair (pub) 1863 – 74. Samuel Webb / 1874 – 77. Sarah Gregory. Samuel Webb was also a chair maker.

79. Ann Young, vict, Angel inn (pub) 1752. John Hill / 1794. Sarah Lovell / 1800 – 06. John Lovell / 1816. John Willis / 1820. Jennet Willis / 1822. Charles Parker 1823. Joseph Scott / 1825 – 32. George King / 1834 – 55. John Pearce / 1856. Edwin Pearce / 1858 – 66. John Young 1867 to 1875. Ann Young / 1876 – 77. George Wilcox / 1879 – 87. John Ehmann / 1888 to 1891. George Becker 1892 – 94. George Duggan / 1896. Lawrence Tooth / 1897. George Lethbridge / 1899. Edward Cranfield / 1901. Frederick Welsford 1904. Charles Hole / 1906. William Palmer / 1909. Frederick Wilkins. (for a glimpse see the Don Cossack).

74-75. G. C. Plumley, vict, Don Cossack (pub) On the corner with Portwall Lane. The Don restaurant by 1890 and later a temperance hotel the building was lost in the blitz. bristolslostpubs.eu/page154.html

70. T. Hill, vict, Old Fox (pub) Near the corner with Portwall Lane, the old building was pulled down in the 1870’s for road widening, and re-built in brick. bristolslostpubs.eu/page176.html

George Wilcox, vict, Golden Lion (pub) The Golden Lion was at No.100 Redcliff Street and was one of many buildings lost in this area during the blitz. bristolslostpubs.eu/page160.html

Redcross Lane, Redcross Street to Old Market Street

Redcross Street, Ellbroad Street to Redcross Lane

Mrs Caroline Butcher, dress maker
Henry Densham, tanner
George Burge, sign painter
John Eastman
Charles Augustus Dicker, broker
Henry Edward Kear, machine maker
John Dodge, marble mason
William Pinney, cabinet maker
George Morgan, poultry dealer
Matthew Crowley, garden wire worker
Samuel Collings, grocer
William Gadd, grocer
John Hazell, potatoe dealer
James Collins, marine stores
James Wheeler, grocer
E. Honour, match maker
Charles Dickson, beer seller
William Hall
Sidney Chard, chandler
British School www.flickr.com/photos/20654194@N07/10476893215
John Douglas, machinist (Douglas Motocycles of Kingswood) www.flickr.com/photos/20654194@N07/3107607134

William Turner Beavis, plasterer, vict, Rose & Crown (pub) 1775. Elizabeth Hopkins / 1792 – 94. Roger Prosser / 1806. Grace Hoare / 1816. Ann Giles / 1832. John Norris / 1847. James Haines 1849 – 54. E. Webber / 1855. James Frampter / 1857. J. H. Phippen / 1860 – 61. John W. Rippon / 1865. Elizabeth Garland 1867. George George / 1868. Samuel Collard / 1869 – 89. William Beavis / 1891. Frederick Allen / 1896. Elizabeth Williams 1901 – 04. William Stevens / 1906 – 09. George Payne / 1914. Isabella Payne / 1917 – 23. George Payne 1924 to 1934. James Henry Lines / 1934 – 38. Samuel Woodruff Hollis / 1944. Marie Merchant-Locke 1950 – 53. Margaret Merchant-Locke / 1960. G. A. J. Wills. John Rippon was a baker and beer house keeper.

Sarah Bending, vict, Hit or Miss (pub) 1861 – 67. Charles Gregory / 1868. J. Brain / 1871 – 78. Sarah Bending / 1879. Norman Richards / 1881 – 83. William Loney 1885 – 86. George Mills / 1889. Joseph Eyles / 1891. John Hobbs / 1892. Alfred Cantle / 1897 – 1901. James Harris 1904. Miss. S. Bates.

Elizabeth Ann Organ, vict, Old Crown (pub) (Back Lane) Redcross Lane. 1816 – 20. Rachael Duckham / 1823. Thomas Duckham / 1826. William Blanchard / 1828 – 32. John Thorn / 1834. John Rossiter 1837 – 61. Thomas Rossiter / 1863. James Fish / 1867 – 71. Elizabeth Ann Organ / 1872 to 1875. John Southcott 1876 to 1898. Shedrack Potter / 1901 Frederick W. Lockwood / 1902 – 04. William Symes / 1906 – 44. George Ewans 1950 – 53. Mary Ann Ewans. On 30th November 1898, Shedrack Potter sold the Old Crown and adjoining dwelling house to Stoke’s Croft brewers R. W. Miller & Co. for the sum of £2000.

Redfield Place, Lawrence Hill

Redland

Miss Frances Lisle, Redland Green house
Theodore James, Grenville house
Richard Castle, Richmond house
John Robert Turner, Luccombe house
John Llewellyn, Grove house
George Weight Gwyer, Franconia house
G. D. Whereat, Hillside house
Rev. William Cartwright, Redland parsonage
Richard Boucher James, Canowie house

(Cold Harbour Lane)

John E. Williams, vict, Cambridge Arms (pub) 1865 – 78. John Williams / 1882 – 83. William Whitmarsh / 1885 – 88. Mary Ann Rowlands / 1889 – 1909. Thomas Burridge 1914. Ellen Roberts / 1917 – 38. Cecil Geoffrey Cains Trudgen / 1944. John Harold / 1950 – 53. Harold Chapman / 1975. A. R. Wildman.

William Gregory, Union cottage
William Henry Budgett, Redland house
Edward Payson Wills, Torweston house
John Reynolds, Manor house
James Gent Wood, Stanley villa
Henry Wileman, Redland Knoll
James C. Wall, Redland lodge
Daniel Fripp, St. Vincent’s lodge
George O. Edwards, Redland court
William Balsdon
Misses Balsdon, ladies’ school, Woodfield villa
Mrs Elizabeth Williams, Elm villa
Charles Webb, builder, etc. Malvern house
Henry Robertson, Redland farm

Redland Court Road, Redland Road

Redland Green, top of Redland Road

Redland Grove, Lower Redland Road to Lover’s Walk

Thomas Davis, Santa clara
Samuel Burman, Hollybank
James Clark
Sampson Rieland
G. Frederick Church, Claverham villa
F. B. Fooks, Elmfield
Henry Webb, Elmside
Miss Thomas, Windsor villa, preparatory school
?. Townshend, York villa

Redland Hill, top of Redland Road

Miss Emma Venning
John Lucas, Redland bank
Mrs Sanderson, ladies’ boarding school, Redland hill house
Henry House, Gothic cottage
Mrs Lucy Vaughan
William Saunders, Redland cottage
Mrs Maria Humpage, Bellevue villa
Samuel Wills, Redland villa
Thomas Webster, surgeon, Malvern house
Mrs Eliza Nutting, Castle Bellevue
Abraham Champion, Castle Bellevue

Redland Parade, Redland Road

Redland Park, Whiteladies Road

William Edward Matthews, Rosedale house
Mrs Callcott, Redfield house .
Richard Sanders, Glenthern lodge
William Cromey, Camborne house
George Thomas Bright, Rougemont house
James Rowe Shorland, Greinton house

Redland Park Road, 151, Whiteladies Road

Redland Park Villas, Whiteladies Road

Mrs Agnes Young, ladies boarding school
Col. Charles Hutchinson
John Bourne
Henry William Sayles
John Piggott
Thomas Garner Grundy
John Edwards, Runnymede house
William Thomas Moseley, Thornbury house
Edward Strickland
T. Phillips, Stanley house
Richard Ferris Rumsey, Bradley house
Thomas Bush Sage, Brighton house
Miss Hooft, Stanley house
Miss Elizabeth Irons, ladies’ boarding school, Camerton villa
D. Cunliffe, Cromer villa
Col. Patton, Sandown villa
Owen Smith
George Palmer Hutchins, Henley villa
George Thomas, Dartmouth villa
?. Kingswood lodge
Rev. Henry Marris, Lyndhurst villa
Redland Park Congregational Church

Redland Road, Redland to Cheltenham Road

Redland Road (Lower), Redland Road to Whiteladies Road

John Mustey, greengrocer
George M. Stansfeld, surgeon, The Shrubbery
George Webber, Elm lodge
Mrs Margret Williams, Somerset house
Mrs Isabella Stewart, Eldon villa
Charles Bennett, Wellington villa
John York, Warkwood house
John G. Thornton, Avenue villa
Mrs Elizabeth Hoskin, Ross villa
Henry Ashman, Belgravia
J . Bryant. Chelvey villa
William Bevan Warry, Chisbury villa
William Blackwell, Rozel villa
Henry Gillard, Avonleigh villa
Col. Charles Waddell, Orchard villa
Joseph Hartland, Tewkesbury villa
James Willey, 2, Collumpton villas
H. H. Hodge, 1, Collumpton villas
John Davis, builder, grocer etc. Vale house
J . Peters, butcher
William Mustey, greengrocer

(Bindon Place)

1. David Pickett
2. Samuel Hayter, dentist
3. Mrs Mary Morgan, lodging house
4. Joseph Goss
5. Mrs Annie Tedder

Redland Side, Cheltenham Road

Redland Terrace, Lower Redland Road, near Whiteladies Road

1. Rev. John Howard Hinton, M.A.
3. William James
4. Alfred Robert S. Hiley
5. Mrs Agnes Phillips
6. Henry William Britton
7. James Shaw

Redland Vale, Redland Road

Mrs Fowell and C. Watts, Albion villa
Mrs Catherine M. Rudge
Charles K. Rudge, surgeon
Thomas Walters, St. James’s villa
Thomas Griffin
Robert David Douch Bartlett, Clifft villa
Mrs Susan Westley, Shirley villa
John Cox, Hillside lodge
Mrs Evans, Eva cottage
Gustavus Richard Lovell, Swiss cottage
William Ball Palmer, Alma cottage
George Davis, Clyde cottage
E. Goodwin, Fairbank villa .

(Sunnybank)

Mrs John Lane, Cradley house
Miss Pinchback, Sidney villa
George Muschamp
Edward Walton Claypole, Pendennis villa
Joseph Lockey, Raymont villa
Mrs Mary Randall, Donnington villa
Edward Maish
Alfred Hall, Erne Leat

Red Lodge Court, Frogmore Cliff, Park Row

Redlodge Place, Leopard Lane

Red Rank, Lower Ashley Road

Reece’s Court, 65, Hotwell Road

Reeds Court, East Street, Bedminster

Reform Court, Old Market Street

Regent Buildings, Bishop Street to Sargent St, Bedminster

Regent Place, St. James’ Square

Regent Place, Union Road, Dings

Regent Place, Royal York Crescent

Regent Place, Spring Street

Regent Road, Coronation Road, to Bedminster Parade

(Nelson Gardens)

William Davis, grocer
James Atkins
Richard F. Cox, clerk
Frederick Shortman, shopkeeper
William Jones, grocer

Daniel Hill, vict, Little Ship (pub) 1854 – 71. Daniel Hill / 1874 – 77. Stephen Hitchcock / 1879. Thomas Elbury / 1881 – 83. Ann Cook / 1885 – 87. Leonard Organ 1888 – 1909. Frederick George Aplin / 1914. Ellen Evans.

Thomas Knight, vict, White Squall (pub) 1867 – 91. Thomas Knight / 1893 – 99. Thomas Nicholls / 1904 – 14. John Porter / 1917 – 21. Herman Gallop.

William Knight, vict, Coronation inn (pub) 1831 – 34. Martha Yeates / 1837 – 44. John Yeates / 1849 – 52. John Parkes / 1853 – 54. Henry Chaffey / 1856 – 61. William Harrill 1863. Maria Harrill / 1867 – 69. William Marshall / 1871. William Knight / 1872 to 1877. William Selway / 1878. H. Kiddle 1879. Joseph Roberts / 1882 – 83. William Davis / 1886 – 87. Arthur Bishop / 1888 – 89. William E. Davis / 1891 – 96. James Hall 1897 – 99. Charles Pegler / 1901. Charles Lloyd / 1904. H. Hodge / 1906 – 28. William Sweetland / 1931. Frederick Burchill 1935. George Brown / 1937 – 38. Elsie Holley / 1944 – 50. Clara Batten / 1953. Alan Crane.

Thomas Hill, vict, Robin Hood (pub) Queen Street. 1858 – 75. Thomas Hill / 1882 – 85. Jane Bass / 1886 to 1887. G. Mills / 1888. Betsey Mills / 1889 to 1891. Betsey Gully 1892. Thomas Veal / 1896 – 99. Elizabeth Veal / 1901. W. Wright / 1906. Thomas Plumb / 1909. William Pudner 1914. William Chamberlain / 1917. Rosa Annie Saunders / 1921. Emma Griffey / 1925 – 28. Matilda Jane Ashley.

Regent Street, Boyce’s Buildings to Clifton

Regent Street, Clarence Town, St. Philips

Sarah A. Doust, beer retailer
John Spurrier, fly & break proprietor
Mary Orchard, butcher
Joseph C. Paul
Gustaff Selund
James Anford
Osmond Williams
John Yalland
Thomas Williams
Mary Dustan
Thomas D. Jarrett, tax collector
William Fox
Thomas James

Caleb Lee, beer retailer vict, Newtown Tavern (pub) 1867 – 89. Caleb Lee / 1891 – 96. William Evans / 1899 – 1904. Edwin Lentell / 1906 – 09. Richard Parker / 1914 – 28. John Leaman 1931. Frank Saunders / 1935 – 38. Gilbert England / 1944 – 53. Frederick Pegler.

Elizabeth Tinsley, vict vict, Freemason’s Arms Hotel (pub) Regent Street / Barrow Road (the Freemasons’ Arms was demolished in 1969) 1863. George Kinnerley / 1871 – 76. Elizabeth Tinsley / 1877. William Harding / 1878 – 79. Isaac Jefferies / 1885. William Higgs 1886 – 87. L. Morgan / 1889 – 91. William Baggs / 1892. Edward Roberts / 1894. Walter Whyatt / 1899. William Brown 1904 – 06. James Davis / 1909. William Withers / 1914 – 17. Frederick Curtis / 1921. Frank Ford / 1925. Edwin Tanner 1928 – 38. Clara Tanner / 1944 – 49. Henry Burt / 1949 to 1957. Reginald Gwinnell.

Regent Terrace, Newtown

Regent Terrace, St. James’ Square

Regina Place, Stapleton Road

Rennison’s Baths, bottom of Cheltenham Buildings, Montpelier

Rennison’s Court, Hillgrove Hill

Reynard’s Court, The Horsefair

RI – RY – Bristol Street Directory 1871

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Steven F. Udvar-Hazy Center: Lockheed P-38J-10-LO Lightning
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Image by Chris Devers
See more photos of this, and the Wikipedia article.

Details, quoting from Smithsonian National Air and Space Museum | Lockheed P-38J-10-LO Lightning

In the P-38 Lockheed engineer Clarence "Kelly" Johnson and his team of designers created one of the most successful twin-engine fighters ever flown by any nation. From 1942 to 1945, U. S. Army Air Forces pilots flew P-38s over Europe, the Mediterranean, and the Pacific, and from the frozen Aleutian Islands to the sun-baked deserts of North Africa. Lightning pilots in the Pacific theater downed more Japanese aircraft than pilots flying any other Allied warplane.

Maj. Richard I. Bong, America’s leading fighter ace, flew this P-38J-10-LO on April 16, 1945, at Wright Field, Ohio, to evaluate an experimental method of interconnecting the movement of the throttle and propeller control levers. However, his right engine exploded in flight before he could conduct the experiment.

Transferred from the United States Air Force.

Manufacturer:
Lockheed Aircraft Company

Date:
1943

Country of Origin:
United States of America

Dimensions:
Overall: 390 x 1170cm, 6345kg, 1580cm (12ft 9 9/16in. x 38ft 4 5/8in., 13988.2lb., 51ft 10 1/16in.)

Materials:
All-metal

Physical Description:
Twin-tail boom and twin-engine fighter; tricycle landing gear.

Long Description:
From 1942 to 1945, the thunder of P-38 Lightnings was heard around the world. U. S. Army pilots flew the P-38 over Europe, the Mediterranean, and the Pacific; from the frozen Aleutian Islands to the sun-baked deserts of North Africa. Measured by success in combat, Lockheed engineer Clarence "Kelly" Johnson and a team of designers created the most successful twin-engine fighter ever flown by any nation. In the Pacific Theater, Lightning pilots downed more Japanese aircraft than pilots flying any other Army Air Forces warplane.

Johnson and his team conceived this twin-engine, single-pilot fighter airplane in 1936 and the Army Air Corps authorized the firm to build it in June 1937. Lockheed finished constructing the prototype XP-38 and delivered it to the Air Corps on New Year’s Day, 1939. Air Corps test pilot and P-38 project officer, Lt. Benjamin S. Kelsey, first flew the aircraft on January 27. Losing this prototype in a crash at Mitchel Field, New York, with Kelsey at the controls, did not deter the Air Corps from ordering 13 YP-38s for service testing on April 27. Kelsey survived the crash and remained an important part of the Lightning program. Before the airplane could be declared ready for combat, Lockheed had to block the effects of high-speed aerodynamic compressibility and tail buffeting, and solve other problems discovered during the service tests.

The most vexing difficulty was the loss of control in a dive caused by aerodynamic compressibility. During late spring 1941, Air Corps Major Signa A. Gilke encountered serious trouble while diving his Lightning at high-speed from an altitude of 9,120 m (30,000 ft). When he reached an indicated airspeed of about 515 kph (320 mph), the airplane’s tail began to shake violently and the nose dropped until the dive was almost vertical. Signa recovered and landed safely and the tail buffet problem was soon resolved after Lockheed installed new fillets to improve airflow where the cockpit gondola joined the wing center section. Seventeen months passed before engineers began to determine what caused the Lightning’s nose to drop. They tested a scale model P-38 in the Ames Laboratory wind tunnel operated by the NACA (National Advisory Committee for Aeronautics) and found that shock waves formed when airflow over the wing leading edges reached transonic speeds. The nose drop and loss of control was never fully remedied but Lockheed installed dive recovery flaps under each wing in 1944. These devices slowed the P-38 enough to allow the pilot to maintain control when diving at high-speed.

Just as the development of the North American P-51 Mustang, Republic P-47 Thunderbolt, and the Vought F4U Corsair (see NASM collection for these aircraft) pushed the limits of aircraft performance into unexplored territory, so too did P-38 development. The type of aircraft envisioned by the Lockheed design team and Air Corps strategists in 1937 did not appear until June 1944. This protracted shakedown period mirrors the tribulations suffered by Vought in sorting out the many technical problems that kept F4U Corsairs off U. S. Navy carrier decks until the end of 1944.

Lockheed’s efforts to trouble-shoot various problems with the design also delayed high-rate, mass production. When Japan attacked Pearl Harbor, the company had delivered only 69 Lightnings to the Army. Production steadily increased and at its peak in 1944, 22 sub-contractors built various Lightning components and shipped them to Burbank, California, for final assembly. Consolidated-Vultee (Convair) subcontracted to build the wing center section and the firm later became prime manufacturer for 2,000 P-38Ls but that company’s Nashville plant completed only 113 examples of this Lightning model before war’s end. Lockheed and Convair finished 10,038 P-38 aircraft including 500 photo-reconnaissance models. They built more L models, 3,923, than any other version.

To ease control and improve stability, particularly at low speeds, Lockheed equipped all Lightnings, except a batch ordered by Britain, with propellers that counter-rotated. The propeller to the pilot’s left turned counter-clockwise and the propeller to his right turned clockwise, so that one propeller countered the torque and airflow effects generated by the other. The airplane also performed well at high speeds and the definitive P-38L model could make better than 676 kph (420 mph) between 7,600 and 9,120 m (25,000 and 30,000 ft). The design was versatile enough to carry various combinations of bombs, air-to-ground rockets, and external fuel tanks. The multi-engine configuration reduced the Lightning loss-rate to anti-aircraft gunfire during ground attack missions. Single-engine airplanes equipped with power plants cooled by pressurized liquid, such as the North American P-51 Mustang (see NASM collection), were particularly vulnerable. Even a small nick in one coolant line could cause the engine to seize in a matter of minutes.

The first P-38s to reach the Pacific combat theater arrived on April 4, 1942, when a version of the Lightning that carried reconnaissance cameras (designated the F-4), joined the 8th Photographic Squadron based in Australia. This unit launched the first P-38 combat missions over New Guinea and New Britain during April. By May 29, the first 25 P-38s had arrived in Anchorage, Alaska. On August 9, pilots of the 343rd Fighter Group, Eleventh Air Force, flying the P-38E, shot down a pair of Japanese flying boats.

Back in the United States, Army Air Forces leaders tried to control a rumor that Lightnings killed their own pilots. On August 10, 1942, Col. Arthur I. Ennis, Chief of U. S. Army Air Forces Public Relations in Washington, told a fellow officer "… Here’s what the 4th Fighter [training] Command is up against… common rumor out there that the whole West Coast was filled with headless bodies of men who jumped out of P-38s and had their heads cut off by the propellers." Novice Lightning pilots unfamiliar with the correct bailout procedures actually had more to fear from the twin-boom tail, if an emergency dictated taking to the parachute but properly executed, Lightning bailouts were as safe as parachuting from any other high-performance fighter of the day. Misinformation and wild speculation about many new aircraft was rampant during the early War period.

Along with U. S. Navy Grumman F4F Wildcats (see NASM collection) and Curtiss P-40 Warhawks (see NASM collection), Lightnings were the first American fighter airplanes capable of consistently defeating Japanese fighter aircraft. On November 18, men of the 339th Fighter Squadron became the first Lightning pilots to attack Japanese fighters. Flying from Henderson Field on Guadalcanal, they claimed three during a mission to escort Boeing B-17 Flying Fortress bombers (see NASM collection).

On April 18, 1943, fourteen P-38 pilots from the 70th and the 339th Fighter Squadrons, 347th Fighter Group, accomplished one of the most important Lightning missions of the war. American ULTRA cryptanalysts had decoded Japanese messages that revealed the timetable for a visit to the front by the commander of the Imperial Japanese Navy, Admiral Isoroku Yamamoto. This charismatic leader had crafted the plan to attack Pearl Harbor and Allied strategists believed his loss would severely cripple Japanese morale. The P-38 pilots flew 700 km (435 miles) at heights from 3-15 m (10-50 feet) above the ocean to avoid detection. Over the coast of Bougainville, they intercepted a formation of two Mitsubishi G4M BETTY bombers (see NASM collection) carrying the Admiral and his staff, and six Mitsubishi A6M Zero fighters (see NASM collection) providing escort. The Lightning pilots downed both bombers but lost Lt. Ray Hine to a Zero.

In Europe, the first Americans to down a Luftwaffe aircraft were Lt. Elza E. Shahan flying a 27th Fighter Squadron P-38E, and Lt. J. K. Shaffer flying a Curtiss P-40 (see NASM collection) in the 33rd Fighter Squadron. The two flyers shared the destruction of a Focke-Wulf Fw 200C-3 Condor maritime strike aircraft over Iceland on August 14, 1942. Later that month, the 1st fighter group accepted Lightnings and began combat operations from bases in England but this unit soon moved to fight in North Africa. More than a year passed before the P-38 reappeared over Western Europe. While the Lightning was absent, U. S. Army Air Forces strategists had relearned a painful lesson: unescorted bombers cannot operate successfully in the face of determined opposition from enemy fighters. When P-38s returned to England, the primary mission had become long-range bomber escort at ranges of about 805 kms (500 miles) and at altitudes above 6,080 m (20,000 ft).

On October 15, 1943, P-38H pilots in the 55th Fighter Group flew their first combat mission over Europe at a time when the need for long-range escorts was acute. Just the day before, German fighter pilots had destroyed 60 of 291 Eighth Air Force B-17 Flying Fortresses (see NASM collection) during a mission to bomb five ball-bearing plants at Schweinfurt, Germany. No air force could sustain a loss-rate of nearly 20 percent for more than a few missions but these targets lay well beyond the range of available escort fighters (Republic P-47 Thunderbolt, see NASM collection). American war planners hoped the long-range capabilities of the P-38 Lightning could halt this deadly trend, but the very high and very cold environment peculiar to the European air war caused severe power plant and cockpit heating difficulties for the Lightning pilots. The long-range escort problem was not completely solved until the North American P-51 Mustang (see NASM collection) began to arrive in large numbers early in 1944.

Poor cockpit heating in the H and J model Lightnings made flying and fighting at altitudes that frequently approached 12,320 m (40,000 ft) nearly impossible. This was a fundamental design flaw that Kelly Johnson and his team never anticipated when they designed the airplane six years earlier. In his seminal work on the Allison V-1710 engine, Daniel Whitney analyzed in detail other factors that made the P-38 a disappointing airplane in combat over Western Europe.

• Many new and inexperienced pilots arrived in England during December 1943, along with the new J model P-38 Lightning.

• J model rated at 1,600 horsepower vs. 1,425 for earlier H model Lightnings. This power setting required better maintenance between flights. It appears this work was not done in many cases.

• During stateside training, Lightning pilots were taught to fly at high rpm settings and low engine manifold pressure during cruise flight. This was very hard on the engines, and not in keeping with technical directives issued by Allison and Lockheed.

• The quality of fuel in England may have been poor, TEL (tetraethyl lead) fuel additive appeared to condense inside engine induction manifolds, causing detonation (destructive explosion of fuel mixture rather than controlled burning).

• Improved turbo supercharger intercoolers appeared on the J model P-38. These devices greatly reduced manifold temperatures but this encouraged TEL condensation in manifolds during cruise flight and increased spark plug fouling.

Using water injection to minimize detonation might have reduced these engine problems. Both the Republic P-47 Thunderbolt and the North American P-51 Mustang (see NASM collection) were fitted with water injection systems but not the P-38. Lightning pilots continued to fly, despite these handicaps.

During November 1942, two all-Lightning fighter groups, the 1st and the 14th, began operating in North Africa. In the Mediterranean Theater, P-38 pilots flew more sorties than Allied pilots flying any other type of fighter. They claimed 608 enemy a/c destroyed in the air, 123 probably destroyed and 343 damaged, against the loss of 131 Lightnings.

In the war against Japan, the P-38 truly excelled. Combat rarely occurred above 6,080 m (20,000 ft) and the engine and cockpit comfort problems common in Europe never plagued pilots in the Pacific Theater. The Lightning’s excellent range was used to full advantage above the vast expanses of water. In early 1945, Lightning pilots of the 12th Fighter Squadron, 18th Fighter Group, flew a mission that lasted 10 ½ hours and covered more than 3,220 km (2,000 miles). In August, P-38 pilots established the world’s long-distance record for a World War II combat fighter when they flew from the Philippines to the Netherlands East Indies, a distance of 3,703 km (2,300 miles). During early 1944, Lightning pilots in the 475th Fighter Group began the ‘race of aces.’ By March, Lieutenant Colonel Thomas J. Lynch had scored 21 victories before he fell to antiaircraft gunfire while strafing enemy ships. Major Thomas B. McGuire downed 38 Japanese aircraft before he was killed when his P-38 crashed at low altitude in early January 1945. Major Richard I. Bong became America’s highest scoring fighter ace (40 victories) but died in the crash of a Lockheed P-80 (see NASM collection) on August 6, 1945.

Museum records show that Lockheed assigned the construction number 422-2273 to the National Air and Space Museum’s P-38. The Army Air Forces accepted this Lightning as a P-38J-l0-LO on November 6, 1943, and the service identified the airplane with the serial number 42-67762. Recent investigations conducted by a team of specialists at the Paul E. Garber Facility, and Herb Brownstein, a volunteer in the Aeronautics Division at the National Air and Space Museum, have revealed many hitherto unknown aspects to the history of this aircraft.

Brownstein examined NASM files and documents at the National Archives. He discovered that a few days after the Army Air Forces (AAF) accepted this airplane, the Engineering Division at Wright Field in Dayton, Ohio, granted Lockheed permission to convert this P-38 into a two-seat trainer. The firm added a seat behind the pilot to accommodate an instructor who would train civilian pilots in instrument flying techniques. Once trained, these test pilots evaluated new Lightnings fresh off the assembly line.

In a teletype sent by the Engineering Division on March 2, 1944, Brownstein also discovered that this P-38 was released to Colonel Benjamin S. Kelsey from March 3 to April 10, 1944, to conduct special tests. This action was confirmed the following day in a cable from the War Department. This same pilot, then a Lieutenant, flew the XP-38 across the United States in 1939 and survived the crash that destroyed this Lightning at Mitchel Field, New York. In early 1944, Kelsey was assigned to the Eighth Air Force in England and he apparently traveled to the Lockheed factory at Burbank to pick up the P-38. Further information about these tests and Kelsey’s involvement remain an intriguing question.

One of Brownstein’s most important discoveries was a small file rich with information about the NASM Lightning. This file contained a cryptic reference to a "Major Bong" who flew the NASM P-38 on April 16, 1945, at Wright Field. Bong had planned to fly for an hour to evaluate an experimental method of interconnecting the movement of the throttle and propeller control levers. His flight ended after twenty-minutes when "the right engine blew up before I had a chance [to conduct the test]." The curator at the Richard I. Bong Heritage Center confirmed that America’s highest scoring ace made this flight in the NASM P-38 Lightning.

Working in Building 10 at the Paul E. Garber Facility, Rob Mawhinney, Dave Wilson, Wil Lee, Bob Weihrauch, Jim Purton, and Heather Hutton spent several months during the spring and summer of 2001 carefully disassembling, inspecting, and cleaning the NASM Lightning. They found every hardware modification consistent with a model J-25 airplane, not the model J-10 painted in the data block beneath the artifact’s left nose. This fact dovetails perfectly with knowledge uncovered by Brownstein. On April 10, the Engineering Division again cabled Lockheed asking the company to prepare 42-67762 for transfer to Wright Field "in standard configuration." The standard P-38 configuration at that time was the P-38J-25. The work took several weeks and the fighter does not appear on Wright Field records until May 15, 1944. On June 9, the Flight Test Section at Wright Field released the fighter for flight trials aimed at collecting pilot comments on how the airplane handled.

Wright Field’s Aeromedical Laboratory was the next organization involved with this P-38. That unit installed a kit on July 26 that probably measured the force required to move the control wheel left and right to actuate the power-boosted ailerons installed in all Lightnings beginning with version J-25. From August 12-16, the Power Plant Laboratory carried out tests to measure the hydraulic pump temperatures on this Lightning. Then beginning September 16 and lasting about ten days, the Bombing Branch, Armament Laboratory, tested type R-3 fragmentation bomb racks. The work appears to have ended early in December. On June 20, 1945, the AAF Aircraft Distribution Office asked that the Air Technical Service Command transfer the Lightning from Wright Field to Altus Air Force Base, Oklahoma, a temporary holding area for Air Force museum aircraft. The P-38 arrived at the Oklahoma City Air Depot on June 27, 1945, and mechanics prepared the fighter for flyable storage.

Airplane Flight Reports for this Lightning also describe the following activities and movements:

6-21-45 Wright Field, Ohio, 5.15 hours of flying.
6-22-45Wright Field, Ohio, .35 minutes of flying by Lt. Col. Wendel [?] J. Kelley and P. Shannon.
6-25-45Altus, Oklahoma, .55 hours flown, pilot P. Shannon.
6-27-45Altus, Oklahoma, #2 engine changed, 1.05 hours flown by Air Corps F/O Ralph F. Coady.
10-5-45 OCATSC-GCAAF (Garden City Army Air Field, Garden City, Kansas), guns removed and ballast added.
10-8-45Adams Field, Little Rock, Arkansas.
10-9-45Nashville, Tennessee,
5-28-46Freeman Field, Indiana, maintenance check by Air Corps Capt. H. M. Chadhowere [sp]?
7-24-46Freeman Field, Indiana, 1 hour local flight by 1st Lt. Charles C. Heckel.
7-31-46 Freeman Field, Indiana, 4120th AAF Base Unit, ferry flight to Orchard Place [Illinois] by 1st Lt. Charles C. Heckel.

On August 5, 1946, the AAF moved the aircraft to another storage site at the former Consolidated B-24 bomber assembly plant at Park Ridge, Illinois. A short time later, the AAF transferred custody of the Lightning and more than sixty other World War II-era airplanes to the Smithsonian National Air Museum. During the early 1950s, the Air Force moved these airplanes from Park Ridge to the Smithsonian storage site at Suitland, Maryland.

• • •

Quoting from Wikipedia | Lockheed P-38 Lightning:

The Lockheed P-38 Lightning was a World War II American fighter aircraft built by Lockheed. Developed to a United States Army Air Corps requirement, the P-38 had distinctive twin booms and a single, central nacelle containing the cockpit and armament. Named "fork-tailed devil" by the Luftwaffe and "two planes, one pilot" by the Japanese, the P-38 was used in a number of roles, including dive bombing, level bombing, ground-attack, photo reconnaissance missions, and extensively as a long-range escort fighter when equipped with drop tanks under its wings.

The P-38 was used most successfully in the Pacific Theater of Operations and the China-Burma-India Theater of Operations as the mount of America’s top aces, Richard Bong (40 victories) and Thomas McGuire (38 victories). In the South West Pacific theater, the P-38 was the primary long-range fighter of United States Army Air Forces until the appearance of large numbers of P-51D Mustangs toward the end of the war. The P-38 was unusually quiet for a fighter, the exhaust muffled by the turbo-superchargers. It was extremely forgiving, and could be mishandled in many ways, but the rate of roll was too slow for it to excel as a dogfighter. The P-38 was the only American fighter aircraft in production throughout American involvement in the war, from Pearl Harbor to Victory over Japan Day.

Variants: Lightning in maturity: P-38J

The P-38J was introduced in August 1943. The turbo-supercharger intercooler system on previous variants had been housed in the leading edges of the wings and had proven vulnerable to combat damage and could burst if the wrong series of controls were mistakenly activated. In the P-38J model, the streamlined engine nacelles of previous Lightnings were changed to fit the intercooler radiator between the oil coolers, forming a "chin" that visually distinguished the J model from its predecessors. While the P-38J used the same V-1710-89/91 engines as the H model, the new core-type intercooler more efficiently lowered intake manifold temperatures and permitted a substantial increase in rated power. The leading edge of the outer wing was fitted with 55 gal (208 l) fuel tanks, filling the space formerly occupied by intercooler tunnels, but these were omitted on early P-38J blocks due to limited availability.

The final 210 J models, designated P-38J-25-LO, alleviated the compressibility problem through the addition of a set of electrically-actuated dive recovery flaps just outboard of the engines on the bottom centerline of the wings. With these improvements, a USAAF pilot reported a dive speed of almost 600 mph (970 km/h), although the indicated air speed was later corrected for compressibility error, and the actual dive speed was lower. Lockheed manufactured over 200 retrofit modification kits to be installed on P-38J-10-LO and J-20-LO already in Europe, but the USAAF C-54 carrying them was shot down by an RAF pilot who mistook the Douglas transport for a German Focke-Wulf Condor. Unfortunately the loss of the kits came during Lockheed test pilot Tony LeVier‘s four-month morale-boosting tour of P-38 bases. Flying a new Lightning named "Snafuperman" modified to full P-38J-25-LO specs at Lockheed’s modification center near Belfast, LeVier captured the pilots’ full attention by routinely performing maneuvers during March 1944 that common Eighth Air Force wisdom held to be suicidal. It proved too little too late because the decision had already been made to re-equip with Mustangs.

The P-38J-25-LO production block also introduced hydraulically-boosted ailerons, one of the first times such a system was fitted to a fighter. This significantly improved the Lightning’s rate of roll and reduced control forces for the pilot. This production block and the following P-38L model are considered the definitive Lightnings, and Lockheed ramped up production, working with subcontractors across the country to produce hundreds of Lightnings each month.

Noted P-38 pilots

Richard Bong and Thomas McGuire

The American ace of aces and his closest competitor both flew Lightnings as they tallied 40 and 38 victories respectively. Majors Richard I. "Dick" Bong and Thomas J. "Tommy" McGuire of the USAAF competed for the top position. Both men were awarded the Medal of Honor.

McGuire was killed in air combat in January 1945 over the Philippines, after racking up 38 confirmed kills, making him the second-ranking American ace. Bong was rotated back to the United States as America’s ace of aces, after making 40 kills, becoming a test pilot. He was killed on 6 August 1945, the day the atomic bomb was dropped on Japan, when his P-80 Shooting Star jet fighter flamed out on takeoff.

Charles Lindbergh

The famed aviator Charles Lindbergh toured the South Pacific as a civilian contractor for United Aircraft Corporation, comparing and evaluating performance of single- and twin-engined fighters for Vought. He worked to improve range and load limits of the F4U Corsair, flying both routine and combat strafing missions in Corsairs alongside Marine pilots. In Hollandia, he attached himself to the 475th FG flying P-38s so that he could investigate the twin-engine fighter. Though new to the machine, he was instrumental in extending the range of the P-38 through improved throttle settings, or engine-leaning techniques, notably by reducing engine speed to 1,600 rpm, setting the carburetors for auto-lean and flying at 185 mph (298 km/h) indicated airspeed which reduced fuel consumption to 70 gal/h, about 2.6 mpg. This combination of settings had been considered dangerous; it was thought it would upset the fuel mixture and cause an explosion. Everywhere Lindbergh went in the South Pacific, he was accorded the normal preferential treatment of a visiting colonel, though he had resigned his Air Corps Reserve colonel’s commission three years before. While with the 475th, he held training classes and took part in a number of Army Air Corps combat missions. On 28 July 1944, Lindbergh shot down a Mitsubishi Ki-51 "Sonia" flown expertly by the veteran commander of 73rd Independent Flying Chutai, Imperial Japanese Army Captain Saburo Shimada. In an extended, twisting dogfight in which many of the participants ran out of ammunition, Shimada turned his aircraft directly toward Lindbergh who was just approaching the combat area. Lindbergh fired in a defensive reaction brought on by Shimada’s apparent head-on ramming attack. Hit by cannon and machine gun fire, the "Sonia’s" propeller visibly slowed, but Shimada held his course. Lindbergh pulled up at the last moment to avoid collision as the damaged "Sonia" went into a steep dive, hit the ocean and sank. Lindbergh’s wingman, ace Joseph E. "Fishkiller" Miller, Jr., had also scored hits on the "Sonia" after it had begun its fatal dive, but Miller was certain the kill credit was Lindbergh’s. The unofficial kill was not entered in the 475th’s war record. On 12 August 1944 Lindbergh left Hollandia to return to the United States.

Charles MacDonald

The seventh-ranking American ace, Charles H. MacDonald, flew a Lightning against the Japanese, scoring 27 kills in his famous aircraft, the Putt Putt Maru.

Robin Olds

Main article: Robin Olds

Robin Olds was the last P-38 ace in the Eighth Air Force and the last in the ETO. Flying a P-38J, he downed five German fighters on two separate missions over France and Germany. He subsequently transitioned to P-51s to make seven more kills. After World War II, he flew F-4 Phantom IIs in Vietnam, ending his career as brigadier general with 16 kills.

Clay Tice

A P-38 piloted by Clay Tice was the first American aircraft to land in Japan after VJ-Day, when he and his wingman set down on Nitagahara because his wingman was low on fuel.

Antoine de Saint-Exupéry

Noted aviation pioneer and writer Antoine de Saint-Exupéry vanished in a F-5B-1-LO, 42-68223, c/n 2734, of Groupe de Chasse II/33, out of Borgo-Porreta, Bastia, Corsica, a reconnaissance variant of the P-38, while on a flight over the Mediterranean, from Corsica to mainland France, on 31 July 1944. His health, both physical and mental (he was said to be intermittently subject to depression), had been deteriorating and there had been talk of taking him off flight status. There have been suggestions (although no proof to date) that this was a suicide rather than an aircraft failure or combat loss. In 2000, a French scuba diver found the wreckage of a Lightning in the Mediterranean off the coast of Marseille, and it was confirmed in April 2004 as Saint-Exupéry’s F-5B. No evidence of air combat was found. In March 2008, a former Luftwaffe pilot, Horst Rippert from Jagdgruppe 200, claimed to have shot down Saint-Exupéry.

Adrian Warburton

The RAF’s legendary photo-recon "ace", Wing Commander Adrian Warburton DSO DFC, was the pilot of a Lockheed P-38 borrowed from the USAAF that took off on 12 April 1944 to photograph targets in Germany. W/C Warburton failed to arrive at the rendezvous point and was never seen again. In 2003, his remains were recovered in Germany from his wrecked USAAF P-38 Lightning.

China.
injection mold china
Image by John Levanen
The Vickers Communications Dept. was filming at a plastics injection molding plant in Zhejiang. (1984.)
We were recording Vickers products and applications.
After a full day of shooting our hosts took us to a late lunch,about 3:00PM.
What a lunch! We ate well and then started toasting with plum wine.We toasted China, the United States, and President Ronald Reagan.
We then got on a train for a three hour ride back to Shanghai.(That is a another story.)
What a day! I think we strengthened PRC-American relatons.(At least I hope so.)
Photo by Staff Photographer Don Pas.
(I copied an old 5X7 print with my Nikon Coolpix. Pretty cool.)

injection molding machine

injection molding machine

Check out these injection moulding images:

injection molding machine

Image by HaiflyMachine
plastic injection blowing machinepet machineryplastic injection molding machinerymolding machinesenergy-savingspreform machineplastic bottle molding machineused injection machineryplastic moulding machinery
plastic mold injection moldingplastic injection mouldingvertical injection machinery

Plastic Light

Image by inrepose
Injection moulded mess.

Injection mold

Image by littlegreenfroggy
SONY DSC

How about Industrial style Shenzhen

How about Industrial style Shenzhen

The art of generating systems and items that optimize appearance, function and worth for the typical benefit of the manufacturer and the user is identified as Industrial Design. At Industrial design and style Shenzhen, systems and items are created by a way of collecting synthesis and analysis of date by following the provided guidelines from the companies and customers.

Industrial design Shenzhen designers organize concise and clear suggestions by employing descriptions, models and drawings. They develop and improve, and they often operate in numerous disciplinary groups such as engineering, management, manufacturing as well as advertising and marketing specialists. Industrial style Shenzhen designers boast of a massive portfolio of flourishing merchandise, and this tends to make them the ideal suited to manage industrial designs for diverse industrial and factory environments.

For the industrial design and style business to take off, sturdy company identity, simplicity of use as properly as strong engineering is required. Industrial design and style Shenzhen firms guarantee that they meet all the requirements for ideal results. Their industrial design group function really closely with the engineering team to make certain that they only come up with products that make use of the modern technology, and are made to be aesthetically pleasing and ergonomic as effectively.

Really few designers can match the reputation of Industrial style Shenzhen firms in terms of encounter in designing all varieties of gear. These firms have an encounter of over 40 years in industrial designers, and are developing strong by day. Some of the industrial styles in the market place nowadays are moulding machines, cash registers, teller machines, weighing scales, and several a lot more.

Right now Industrial style Shenzhen companies’ understanding consists of a assortment of company segments that variety from education to packaging, to retail and payments. These organizations have also undertaken architectural and creating projects thereby displaying an exceptional mixture of function as properly as kind, which has made them make a name for themselves and win a lot of awards for their merchandise. Industrial style Shenzhen firms are recognized for their specialist capabilities when it comes to industrial designs and especially build atmosphere. From the world’s biggest equipment to the smallest, they can demonstrate that they have the know-how and expertise to design and style any solution.

Industrial design Shenzhen firms are international medal winning industrial style companies. They have won the trust of the world’s most searched brands. Most of the firms have a presence in USA and other European countries, but the manufacturing base is Shenzhen. The companies take a lot of pride in guaranteeing that only the best goods are sold to each and every a single of their client wherever they may possibly be.

Find a lot more details relating to China prototyping, and Shenzhen factories here.
Nice Two Shots Molds Created In China photos

Nice Two Shots Molds Created In China photos

Verify out these two shots molds produced in china images:

Steven F. Udvar-Hazy Center: South hangar panorama, including Vought OS2U-three Kingfisher seaplane, B-29 Enola Gay
two shots molds made in china
Image by Chris Devers
Quoting Smithsonian National Air and Space Museum | Vought OS2U-3 Kingfisher:

The Kingfisher was the U.S. Navy’s principal ship-based, scout and observation aircraft throughout Planet War II. Revolutionary spot welding strategies gave it a smooth, non-buckling fuselage structure. Deflector plate flaps that hung from the wing’s trailing edge and spoiler-augmented ailerons functioned like added flaps to permit slower landing speeds. Most OS2Us operated in the Pacific, where they rescued many downed airmen, including Planet War I ace Eddie Rickenbacker and the crew of his B-17 Flying Fortress.

In March 1942, this airplane was assigned to the battleship USS Indiana. It later underwent a six-month overhaul in California, returned to Pearl Harbor, and rejoined the Indiana in March 1944. Lt. j.g. Rollin M. Batten Jr. was awarded the Navy Cross for making a daring rescue in this airplane beneath heavy enemy fire on July 4, 1944.

Transferred from the United States Navy.

Manufacturer:
Vought-Sikorsky Aircraft Division

Date:
1937

Country of Origin:
United States of America

Dimensions:
Overall: 15ft 1 1/8in. x 33ft 9 1/2in., 4122.6lb., 36ft 1 1/16in. (460 x 1030cm, 1870kg, 1100cm)

Components:
Wings covered with fabric aft of the main spar

Physical Description:
Two-seat monoplane, deflector plate flaps hung from the trailing edge of the wing, ailerons drooped at low airspeeds to function like added flaps, spoilers.

• • • • •

Quoting Smithsonian National Air and Space Museum | Boeing B-29 Superfortress &quotEnola Gay&quot:

Boeing’s B-29 Superfortress was the most sophisticated propeller-driven bomber of World War II and the 1st bomber to home its crew in pressurized compartments. Although designed to fight in the European theater, the B-29 found its niche on the other side of the globe. In the Pacific, B-29s delivered a variety of aerial weapons: standard bombs, incendiary bombs, mines, and two nuclear weapons.

On August six, 1945, this Martin-constructed B-29-45-MO dropped the first atomic weapon employed in combat on Hiroshima, Japan. Three days later, Bockscar (on show at the U.S. Air Force Museum close to Dayton, Ohio) dropped a second atomic bomb on Nagasaki, Japan. Enola Gay flew as the advance climate reconnaissance aircraft that day. A third B-29, The Great Artiste, flew as an observation aircraft on each missions.

Transferred from the United States Air Force.

Manufacturer:
Boeing Aircraft Co.
Martin Co., Omaha, Nebr.

Date:
1945

Country of Origin:
United States of America

Dimensions:
General: 900 x 3020cm, 32580kg, 4300cm (29ft 6 five/16in. x 99ft 1in., 71825.9lb., 141ft 15/16in.)

Supplies:
Polished overall aluminum finish

Physical Description:
4-engine heavy bomber with semi-monoqoque fuselage and high-aspect ratio wings. Polished aluminum finish general, normal late-World War II Army Air Forces insignia on wings and aft fuselage and serial quantity on vertical fin 509th Composite Group markings painted in black &quotEnola Gay&quot in black, block letters on reduced left nose.